Agus Barandiaran, ambassador of traditional Basque music and dance all over the world, is confronted with the worst thing that can happen to a Basque person: the demolition of his 1540 baserri (family farmhouse) to make way for a new road. Agus must fight the circumstances to try and protect his roots, because in the Basque culture "etxea" means much more than four walls. Basque Selfie is a sad but edifying story articulated around tradition, the tradition of keeping the signs of one’s own identity alive.
What's going to happen when these though times get worse and there are more robbers than bars?
A group of people talk about very different subjects, including a strange course that one of them has just completed. There is tension in the air, although it is not quite clear why. They give the impression that they are killing time while waiting for a job that everyone needs for different reasons. Are they actors looking for a role?
Irene, a former member of the terrorist gang ETA recently released from prison in Catalonia, recalls her past during her return trip to the Basque Country.
1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.
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