Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.
A smart teenager Adam Cisowski is asked by his teacher to help him solve the mysterious case of robbed house doors in his mansion.
A feminine take on a Cassavetes drama, the film focuses on a group of women who have gathered for a surprise baby shower. However, as the female guests arrive (the household males having adjourned to an afternoon football game), the off-screen mother-to-be goes into premature labour, leaving the bored invitees to sip spiked punch and discuss the dearth of available men until the drunken boys return home, thus setting the stage for male/female confrontations, confessions and clumsy acts of copulation-notably while standing under a shower. An exploration of the contemporary trappings of male/female sexual politics.
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