During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
In order to finally get that long-awaited promotion, Heinz Hellmich, an old white man, has to show his "wokest" side at work. When he invites his superiors to a private dinner at his home, his family's politically correct façade quickly begins to crumble and the evening takes a hair-raising turn.
For the first time since her husband's death, Ute visits their former FKK-club. Curiously she enters this familiar place and immediately receives a warm welcome. However, she painfully has to realise that in the eyes of her old friends she primarily has become the widow. Unintentionally she finds herself involved in a group game in which you have to make your teammates laugh by saying one simple sentence.
A wicked witch locked Rapunzel in a tall tower without doors. Whenever she wanted to enter, the witch would call, "Rapunzel, Rapunzel, let down your hair", and Rapunzel would lower her extremely long hair for the witch to climb. Years pass until one day a prince, riding through the forest, heard her beautiful singing and was captivated.
Two couples driving through the night. As they hit a biker with their car, they have to make a decision.
Alice is 16 years old and an introverted girl with a special ability: she hears extraordinarily well. When her mother sends her to a Catholic foster home, she remains an outsider in a group of self-confident teenage girls. Only Berivan, a Kurdish refugee who seeks for asylum in Germany, tries to learn more about Alice. They finally become close friends, but Berivan's relationship to an Albanian guy destroys the girls' friendship
Tobias, aged 13, lives in an East German city and has learned to get by on his own. Then Max moves into the neighboring apartment, and he keeps it just like Tobias. He likes to determine how things should go by himself. Without further ado, Tobias decides to pass Max off as his father!
Composer Johann Sebastian Bach is introduced to King Frederick II of Prussia in 1747. The aging composer and the young monarch clash and a battle of egos ensues.
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