Poucet is a kid from a family of numerous children. The parents, too poor to feed them, decide to abandon them in the forest. Their, the brothers try to find their way out making fantastic encounters. This film is based on the French fairy tale "Le petit poucet" by Charles Perrault.
French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.
Max is a kind of modern Zadig embarked upon an existential and sentimental quest. Jewish and Russian all rolled into one, he quickly feels cramped in his native Ukraine. One day, he leaves his parents, family and enemies for the city of his dreams: Paris. He discovers the capital and the occasionally ferocious and complex ways of its natives.
Raoul is a 20 years old student in Paris. Girls are not interested in him, though he is good-looking. He wonders why. Raoul does not look for a great passion, he only wants to be kissed. We will follow his love tribulations.
After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.
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