NEW YORK CITY. 1989. While Hungary remains under Communist control, two Hungarians escape to the United States in search of a new life, or at least new friends.
A group of young radicals band together armed with bongo drums and Molotov cocktails made from craft beer bottles. An act of extremism is replaced by aesthetic value. Mao's Little Red Book is no longer in print. The mediated images of teen dystopian dramas galvanize the youth into new productions.
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