A Mossad agent competes with a CIA agent in a war with a terrorist organization that threatens to blow up the world with cell phones. If they fail in their mission, the head of the Mossad will not be able to light a torch on Independence Day on live television, which is forbidden.
Tami is a widow in her 60s and Beno is a widower in his 70s. She is optimistic, always smiling, and still talking to her husband who has been dead for a few years already. Beno is tougher on the outside, but also still suffering from the loss of his wife. Tami and her husband were successful singers so now she lives comfortably in a beautiful retirement home. He, on the other hand, is finding it hard to pay the monthly rent. Notwithstanding their differences in lifestyle and personality, and their interfering offspring and neighbors, they eventually fall in love.
A driver in the ultra-Orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak.
Four separate stories deal with stereotypical ideas about Jews: their alleged influence on politics, the stereotype of Jewish business-mindedness, the Mossad, the Jewish world conspiracy and the memory of the Holocaust.
Bathya is a former movie star who feels that her life is finally about to change. After years of frustration she was offered a part in a movie, but something happens in the morning of the audition, that forces her reexamine her priorities in life.
A family in Jerusalem is torn apart by the mysterious disappearance of their father after a tragic a car accident.
Rami Haruvi, a daring Mossad Agent, is sent to rescue the abducted US ambassador held at the state of Sugyra. If Rami fails his mission, the annual mossad vacation at "Olga Resort" will be canceled. Due to the importance of the mission, Hayim, the Head of the Mossad decides to assign Rami a new agent to his mission - the daughter of a mythological Mossad agent named Shuki, a ladies' man and Rami's role model. The two are getting into trouble both in their mission and relationship. Are the Americans good? Are the terrorist bad? Yet none of it compares to the real important question: will Hayim get his longed annual vacation at the Olga Resort?
In December 1987, the (first) Palestinian Intifada broke out and the Occupied Territories were set alight with a mass wave of demonstrations, protesting the ongoing Israeli occupation – the largest scale, longest-running ones seen in the area since 1967. The IDF was sent in to quash the uprising and before long, TV screens across the country were inundated with footage of burning tyres, stones thrown about, and baton-wielding Israeli soldiers chasing after teens and children. In the face of this new reality that made the question of the Occupied Territories the single most pressing issue of the time, the Jerusalem Film Festival went ahead and commissioned the following project. The result is a classic, Heffner-esque film – an intelligent labyrinth containing the most fundamental of Israeli tropes: The Holocaust; Arabs; us vs. them – all of which find themselves clashing and intermingling, and ultimately rendering the viewers helpless and cringing with awkwardness.
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