In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.
A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.
In this adaptation of Homer's timeless epic, Armand Assante stars as Odysseus, the warrior King of the mythical island of Ithaca, who must endure a decade long quest to reach home after the Trojan war, overcoming savage monsters, powerful forces of nature, and seductive nymphs, and he must outsmart them all, with all the guile and intellect he can muster.
A prosperous widow with a gay son falls for a young gym instructor in Athens.
From her childhood in Alentejo to her career as a singer, Linda de Suza recounts her life, in a Portugal marked by the Salazar dictatorship, with her family and in particular her mother, before fleeing to France as an adult.
Irene Papas (Greek: Ειρήνη Παππά, born Eirini Lelekou (Greek: Ειρήνη Λελέκου) 3 September 1929 – 14 September 2022)was a Greek actress and singer who starred in over 70 films in a career spanning more than 50 years. She gained international recognition through such popular award-winning films as The Guns of Navarone (1961), Zorba the Greek (1964) and Z (1969). She was a powerful protagonist in films including The Trojan Women (1971) and Iphigenia (1977). She played the title roles in Antigone (1961) and Electra (1962). She had a fine singing voice, on display in the 1968 recording Songs of Theodorakis. Papas won Best Actress awards at the Berlin International Film Festival for Antigone and from the National Board of Review for The Trojan Women. Her career awards include the Golden Arrow Award in 1993 at Hamptons International Film Festival, and the Golden Lion Award in 2009 at the Venice Biennale. Description above from the Wikipedia article Irene Papas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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