Newly discovered interviews with Elizabeth Taylor and unprecedented access to the star’s personal archive reveal the complex inner life and vulnerability of the groundbreaking icon.
This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.
"Children of 'Giant'" is a documentary film that unearths deeply wrought emotions in the small West Texas town of Marfa, before, during and after the month-long production of George Stevens' 1956 feature film, "Giant." Based on the controversial Edna Ferber novel of the same name, the film, "Giant" did not shy from strong social-issue themes experienced throughout post-WWII America. George Stevens, its producer and director, purposely gravitated to the drought-ridden community of Marfa for most all of the exterior scenes.
Throughout the 1950s, Tab Hunter reigned as Hollywood’s ultimate male heartthrob. But throughout his years of stardom, Tab had a secret. Tab Hunter was gay, and spent his Hollywood years in a precarious closet that repeatedly threatened to implode and destroy him. Tab Hunter himself shares first hand, for the first time, what it was like to be a studio manufactured movie star during the Golden Age of Hollywood and the consequences of being someone totally different from his studio manufactured image.
Although he'd starred in just three films before his untimely death at age 24, James Dean cast a long shadow that came to define cool. Using excerpts from Dean's personal diaries, found footage from screen and wardrobe tests and interviews with those who knew him best (including Dennis Hopper, Dick Van Patten, Graham Nash and Rod Steiger), this fascinating documentary explores the screen icon's lingering mystique.
The collar of his coat turned up in New York: Images which have collaborated on building a myth – the image of eternal and misunderstood youth. Unlike Marlon Brando, the proletarian rebel with identifiable goals, James Dean was the timeless and androgynous youthful rebel. His death on the Interstate 46 leads us back to 1950s America, a time when youth was re-interpreted all anew.
Documentary exploring the last 18 months of James Dean's acting career.
1955 - the year when The rip hunter is buried in snow for eight days before his ski pole with a movie ticket is discovered. Ingrid Bergman gets bad reviews as Joan of Arc, and James Dean dies in a 185 km/h car crash. The knappupgänget, with Povel Ramel and Gunwer Bergkvist, go to Nairobi to shoot a film that will never be finished. Sweden votes no to right-hand traffic and the "Motbok" disappears in October. Charlie Norman writes film music and gets a job in the US, while Sigge Eriksson becomes a world figure skating champion in Moscow. Anita Ekberg visits after years in Hollywood and Louis Armstrong gives concerts in Stockholm. Luleå is building the world's first indoor shopping center, and Viggen Viggo is visible on the TV screen.
Rebel Without a Cause: Defiant Innocents is a documentary chronicling the production of the film.
In the summer of 1955, an army of cameramen, lighting techs and movie stars descended on the small, west Texas town of Marfa to film what has become, "the national movie of Texas."
James Byron Dean (February 8, 1931 – September 30, 1955) was an American actor. He is remembered as a cultural icon of teenage disillusionment and social estrangement, as expressed in the title of his most celebrated film, Rebel Without a Cause (1955), in which he starred as troubled teenager Jim Stark. The other two roles that defined his stardom were loner Cal Trask in East of Eden (1955) and surly ranch hand Jett Rink in Giant (1956). After his death in a car crash on September 30, 1955, Dean became the first actor to receive a posthumous Academy Award nomination for Best Actor for his role in East of Eden. Upon receiving a second nomination for his role in Giant the following year, Dean became the only actor to have had two posthumous acting nominations. In 1999, the American Film Institute ranked him the 18th best male movie star of Golden Age Hollywood in AFI's 100 Years...100 Stars list.
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