In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
After her foster sister dies, Leila takes a DNA test and discovers the identity of her biological father and sister. But when her father is tragically murdered, and Leila travels to meet the sister she never knew, she lands herself in more danger than she ever imagined.
Sisters, Nicole and Angela, are highly driven and successful in their careers. Angela is married with a baby on the way and wishes Nicole, a rising attorney, could have more balance in her life. When Angela interviews and hires a new bright executive, Michael, she sets him up with Nicole who actually makes time to date him. The relationship seems promising until it becomes clear that Michael is moving much more quickly and obsessively than Nicole can handle.
An unidentified man posts a live feed on social media showing that he has kidnapped two strangers and intends to kill one before the day is out. His intention is to hold a capital 'trial' online. As the authorities recognize what's happening, it becomes apparent that the online public is going to act as judge and jury.
In an oppressive future, a 'fireman' whose duty is to destroy all books begins to question his task.
Meet Morgan. At first glance, she's just your average cleaning lady. She has no problem getting her hands dirty, which is a good thing considering it's not fancy houses she cleans for a living - it's gruesome crime scenes. It's at one of these scenes that Morgan discovers a key piece of evidence overlooked by the forensics team. This, and her knack for reading blood splatter, catch Nick's attention, a newbie detective working the case. The pair soon become unofficial partners on what's become a stream of related murders and the closer they get to solving the mystery the closer they get to each other. But while they succeed in getting a confession from their primary suspect, their feelings for each other risk blinding them to the truth and they find themselves dangerously close to the real killer.
When a dually-pregnant lesbian couple loses one of the babies in utero, the grieving mothers break their surrogacy arrangement with their closest friends in order to keep the remaining baby.
Redemption and damnation share a bed of hope in a love story between a suicidal psychiatrist and a drug addicted homicidal cop. How far can one fall, how bad can one become and still find forgiveness?
The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city.
A woman struggles with her self-image in a house run by a weight-obsessed mother, alongside a younger sister whose eating disorder has tragic coincidences.
From IMDb; Joanne attended York University and also the Randolph Academy for performing arts. Her first role on film was in "The Mitchell Brothers" directed by Emilio Esteves, from there she went on to various film and television projects including a 2 1/2 year stint on "Train 48", an improvised daily drama. She lives in Toronto with her husband Dylan and son Kaden. She also plays with the band "The Elastocitizens".
By browsing this website, you accept our cookies policy.