A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.
In this wry comedy, the self-deceiving exploits of Lasse (Peter Hesse Overgaard), are shown, as he more or less innocently runs small cons on the people in his life, all the while sponging off of his girlfriend in a bohemian quarter of Copenhagen. He is a no-count, but fairly handsome young stud who imagines that he is some sort of art promoter, or is perhaps even a video artist himself.
Jacob and Finn run their low-budget private-eye business out of an auto salvage yard. Usually they are woefully incompetent, and on occasion they are inventive, like the time they find a boat captain's dentures. They're broke, so when Finn comes to the attention of a local hospital as having very healthy organs, Jacob is willing to help a corrupt doctor and his gold-digging nurse sell Finn's heart to a dying sheik in Switzerland. Finn rebels, so Jacob plots to substitute a pig's heart; then Finn gets attached to the pig and won't hear of its slaughter. As the sheik's health deteriorates and the doctor gets more desperate, Finn is in grave danger. Jacob has another plan.
Han frigav slaverne i 1848. Han talte konge og regering imod. Han elskede sine samtidige koner lige højt. Han var farverig, han var enevældig, han var Danmarks sidste generalguvernør på De vestindiske Øer, hans navn var Peter von Scholten. Filmen om ham er en pragtfuld historie om storhed, magt og stædighed på den ene side, og om kærlighed, loyalitet og vemod på den anden. Den er et farverigt galleri af personer, der viser tiden, danskeren i det fremmede – og det sorte menneske i relief til det hvide.
FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...
By browsing this website, you accept our cookies policy.