Many years after leaving the small town behind, Joel returns to move his mother Monika, a home for the elderly struggling with dementia. However, Monika’s health takes a turn for the worse soon after her arrival. She experiences terrifying visions of her late husband, Joel’s abusive father, and begins exhibiting violent behavior. Joel begins to believe that something malevolent and supernatural has taken control of his mother. But with his own history of substance abuse and mental instability, can he trust his own perceptions? As Monika’s memories fade, Joel must confront the demons of his own past, dredged up by his return to the home where he grew up.
When the owners of the boatyard are going to divorce, they can not decide who will get it. They agree to make the division of property through a competition on the Göta Canal, where the winner gets the boatyard.
A bank robber holds the visitors of an open house hostage and then promptly vanishes, leaving the police baffled — and suspicious of everyone.
A twisted and exciting meeting between Lasse Åberg and Stig-Helmer.
Puck and Einar decide to spend the last weeks of their vacation in Einar's idyllic childhood town Skoga. Pucks father Johannes Ekstedt, professor in Egyptology, has a household cat called Thotmes III that joins the couple. They get to borrow both Einar's sisters beautiful old wooden house as well as her highly competent housekeeper. But after the first night, the idyll crumbles. Einar finds a dead body on the lawn, a young man stabbed to death by a dagger. Christer Wijk enters the stage and with the help of Pucks observations the mystery approaches its tragic solution.
In this story, the 60th birthday of Cohen-family matriarch Rosha is the occasion for a gathering of her children from the diverse places around the world. The central character in this drama, however, is Angelique, whose interest in psychoanalysis has earned her the nickname of "Freud." Her older brother is gay and lives in Florida with his lover. Her older sister has married into an Orthodox family, and lives in Jerusalem. They have all gathered in Sweden for their grandmother's birthday. Meanwhile, Rosha's daughter, the mother of these diverse children, has taken ill and is in the hospital. She has been diagnosed with a very advanced, inoperable brain tumor. Freud, who never left home, is perhaps as upset by this news as anyone, and she startles everyone by going out and beginning an affair with a biker. However, she is deeply involved in the new situation: she insists that their mother be brought home from the hospital rather than being allowed to suffer and die there.
Saxophone-pimp is a meditation on urban hotel as youth. Here, at the city hotel in the small town, we find the entire gallery of: the young lion dance, the drunk lady and the happy party. New for the evening is Vera, a divorced mother in her prime. Dance band saxophonist follows the awkward attempts at contact between Vera and a drummer, and decides to help her along. He plays the classic "Petite Fleur". Again and again and again .....
Moa is seven years old and lives with her mother and her hamster. When her mother gets a new boyfriend Moa starts fantasising about her father's life in Africa.
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
Gunhild "Lottie" Ejebrant is a Swedish stage and screen actress. She made her film debut in Gunnar Hellström's "Chans/Just Once More" (1962).
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