Trapped in a house of horror, seven people discover that the only way they'll get out alive is to tell their scariest stories.
This three-hour prequel to the 2002 miniseries, "Trudeau", chronicles the coming of age of Canada's 15th Prime Minister and the forces that shaped his brilliant mind and fierce political will. Fatherless at 14, a thorn in the side of his Jesuit professors, the young Pierre Elliott Trudeau chafed under the suffocating pressures of the very conservative Quebec of the '30s and '40s. Iconoclast, gadfly, a restless traveler and ladies' man, he helped plant the seeds for Quebec's Quiet Revolution by challenging all of its sacred cows—including the Catholic Church and the autocratic premier of Quebec, Maurice Duplessis.
In a gritty retelling of the Dickens's classic, Twist takes Oliver and the Artful Dodger out of the poorhouse and onto the streets, where junk is the currency and hustling is the game.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, "Why do you always ask questions you already know answers to?" Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That's just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life's quest.
Malcolm's (28) new love, Alicia (25), an illegal Chilean refugee, will be short-lived if he does not make the right choice.
This series illustrates the life and career of P.T. Barnum, America's greatest showman and promoter. Starting as a young man who managed an old woman who was supposedly George Washington's nursemaid, we see his career as he finds success promoting curiosities and attractions with panache and a judicious mix of truth and creativity, whether it be promoting his museum or characters like the midget General Tom Thumb. Yet because the demands of his businesses, his family life is troubled and marred by tragedy. All the while, events lead to his greatest creation, the Ringling Brothers/Barnum & Bailey Circus.
A father's love is not enough to keep his dreams and his family together in this drama. Joe Aiello (Tony Nardi) is an Italian immigrant who settled in Montreal and opened a construction firm in the early '60s. Thirty years later, Tony's business is a solid success, and Tony dreams of passing this legacy along to his family. But Tony's wife has passed on, his son Nuccio (Hugolin Chevrette Landesque) is developmentally disabled, and his daughter Bennie (Michele-Barbara Pelletier) can't decide what she wants to do with her life, dropping out of college against her father's wishes shortly before she is to graduate. Despite his disappointment with Nuccio and his exasperation with Bennie, Joe has a fierce love for his children, but Bennie feels that her father's affection is starting to crush her more than it nurtures her.
Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.
A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
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