Documentary about the crazy cinephile Atsushi Tsuboi, vice president of the Nagoya art theatre "cinemaskhole".
Rin a young high school student is your everyday awkward girl who gets bullied by her fellow students. On her 16th birthday, Rin gets an unexpected surprise: she finds out that she is, on her father's side, a half-mutant.
High school seniors Mikayo, Chuko and Kei are forced to join a historical research club to fulfill a graduation requirement. Their teacher, Mr. Kachi, plans a mandatory club trip to a small village called Oshakabe in Yamagata prefecture to study remnants of an ancient clan of warriors called the ochimusha who displayed legendary cowardice in battle. When they arrive, the local villagers hold a special ceremony and construct a "super shrine". As a result, an 800-year seal is broken, unleashing a curse that causes the ochimusha to rise from the grave.
Kazuya goes to live with his mother Shinobu because his father, Yoshiki, who works in the same company, has fired him according to the company policy regarding redundancy. However, Shinobu soon gets remarried to Sakamoto depriving Kazuya of a place to stay. He then meets Sachiko who works in a salon where sexual pleasure is offered to men. They promise to have a date on the next Sunday by the sea.
When Mizushima saw the name "Kashiwagi" listed as one of the organizers of the reunion, he was a little surprised. Kashiwagi was ignored by everyone because of his unusually short stature and ugly appearance. Who would have thought that such a man would be the initiator of the class reunion? When Mizushima returned home, he saw Kashiwagi, who had lost both legs and was awkwardly dragging his prosthetic legs, and his wife, Kano Takako, who was hailed as a Madonna in her student days and monopolized the attention of men.
Mami is about to give birth and is busy preparing for her baby. Her husband, Murakami, is an office worker, but suddenly stops coming home. Mami is left feeling anxious about her days. Kubo, who lives in the apartment next door, keeps a watchful eye on her. Kubo is a writer who lost his pregnant wife in a traffic accident, so he has an unusual interest in pregnant women and is strongly drawn to Mami. Her husband, Murakami, has abandoned his family and is running away with his lover. And so is something between Mami and Kubo...
Shiro and Keita didn’t manage to enter university and are stuck in their hometown delivering newspapers. Shiro persists on finishing a film they started, but Keita is not very enthusiastic.
Director Noboru Iguchi's first 8mm film, which he shot as a high school student.
Noboru Iguchi is a Japanese film director, screenwriter and actor. He has worked as a director in adult video (AV) as well as in the horror and gore genres. Iguchi was born on June 28, 1969. In an interview he said he was influenced in his work by the ghost houses and freak shows he went to as a child in Japanese play lands, and that his aim in his films is to both entertain and surprise. In his extensive career as an AV director, Iguchi has worked for a number of studios including CineMagic, Big Morkal, Try-Heart, h.m.p and Soft On Demand (SOD). Nana Natsume and Risa Coda have been among the AV Idols featured in his videos. His videos have explored several of the typical Japanese AV genres, from incest for SOD to "nakadashi", bondage, group sex and some enema fetish videos for CineMagic. His video Final Pussy starring Nana Natsume won the Best Rental Video Award at the 2005 SOD Awards. In this January 2005 video, Natsume's character (as the result of a military experiment gone wrong) has guns burst from her breasts when sexually aroused. The special makeup effects were by Yoshihiro Nishimura. One of Iguchi's early movies was Kurushime-san (クルシメさん) which was first released in 1997. Iguchi was screenwriter, editor, cinematographer and director of the black comedy-horror film which won the Encouragement Prize at the 1998 Yubari International Fantastic Film Festival and starred Aki Arai, Miako Tadano and Tomoko Matsunashi. In 2003, Iguchi wrote and directed the horror comedy A Larva to Love (恋する幼虫, Koi-suru Yōchū) (with effects by Yoshihiro Nishimura) about a strange relationship involving a boy, a girl, and a parasite. Iguchi also wrote and directed the February 2006 film Sukeban Boy or Oira Sukeban (おいら女蛮 スケバン, Oira sukeban) with AV star Asami. At an interview at the New York Asian Film Festival, Iguchi told of an incident where one of the actresses in the movie, completely unaware of her role, balked at doing action scenes totally naked. According to Iguchi "We had to calm her down, capture her, and convince her to do the job ... We made it so she could not leave the set ... [in] America we would have been sued." Later in 2006, Iguchi directed Cat-Eyed Boy (猫目小僧, Nekome kozō) based on the manga by Kazuo Umezu. The movie, with gravure idol Miku Ishida, Asami Kumakiri, Hiromasa Taguchi, Naoto Takenaka and Kanji Tsuda, was released theatrically in Japan in June 2006, and on DVD in October of the same year. Iguchi was also both the screenwriter and director for the 2008 action and gore cult film The Machine Girl (片腕マシンガール, Kataude mashin gāru) where he once again teamed up with Yoshihiro Nishimura who did the special effects and makeup effects. Iguchi said he wanted to make an action movie with a woman fighting and it started with just an idea of a girl losing her arm and going out for revenge and was originally called "One Armed Big Busty Girl" - the machine gun came later. Iguchi was a special guest at the 2009 and 2010 New York Asian Film Festival. In 2010, Iguchi directed his largest-budgeted feature, the action film Karate-Robo Zaborgar, based on the popular 1970s television series Denjin Zaborger. He followed it with the scatological horror/comedy Zombie Ass in 2011.
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