Bruno is not just any cop. He is Boom Boom Bruno, the district's cowboy. Everything here is under his control. His criminals, his hookers, his boss. He is thrilled with his new partner Mark – it's up to him to teach this insecure boy to be a real man with balls. When a drag queen is found dead on his turf, however, both Bruno and Mark must fight their own prejudices and meet resistance coming from all sides to solve the case.
A woman despairs about the coming collapse of the world. How will it change? What kind of planet will she leave to her daughter? She imagines different scenarios, each more terrible than the last, and decides to do something. No matter how pointless it may seem to her.
Radio presenter Karla's biological clock is ticking, and it's now very loud and clear. But no matter what she does, she simply cannot find a suitable man with whom she could imagine a family.
Ama, Senta and Klara are sisters in their thirties and couldn't be more different. Ama studies medicine, Senta is a dedicated prostitute and Klara is more of a house maker, who desperately wants a child, even if it is from her abusive, lorry driver husband. Their parents, Rosa and Erich (who suffers from dementia) are tucked away in and old peoples home, which affords the girls some peace and quiet.
Ibrahim, a young German of Turkish descent, leads a double life, living with his tradition-bound family and spending his days looking for a respectable job. But outside his parent's apartment, Ibo (as he's called by his family and friends) is a confident gay man who works in a sex shop and is on the hunt for Mr. Right.
Berlin, Capital of Germany. The integration of East and West, multicultural society, departure, movement, creativity, active life, but also loneliness, solitude, and anonymity. Everyone yearns for togetherness, and each love is possible. 'At Second Glance' is a film about Kay and Falk, Benjamin and Elena, Till and Pan - three visually impaired couples in the big city juggernaut Berlin - who meet, discover, and feel attracted to each other.
When a salon refuses to hire her because of her plump figure, irrepressible hair stylist Kathi plots revenge by opening her own beauty parlor next door. But when she faces a cash-flow problem, Kathi resorts to some creative means of raising capital.
Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.
Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing each other or colliding head-on. They are all, without knowing it, at a pivotal moment in their lives...
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