Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.
Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.
A man researches the death of his political activist father while in police custody.
Tarık Akan (born Tarık Tahsin Üregül, 13 December 1949 – 16 September 2016) was a Turkish film actor and producer, who started his activity in the 1970s. He acted in a total of 110 films, and won numerous awards from various festivals including Cannes and Berlin. He won an Honourable Mention at the 35th Berlin International Film Festival for his role in Pehlivan. He entered a movie actor contest of the magazine Ses ("Voice"), and ended up runner up. He studied acting under the eye of famous Turkish film director Ertem Eğilmez (1929–1989). He made his film debut in 1970 at the age of 21 in Vefasız, and adopted the stage name "Tarık Akan". Between 1970 and 1975, in the heyday of Yeşilçam, he acted in 12 films a year in average. He appeared with Emel Sayın in Mavi Boncuk, Hülya Koçyiğit in Sev Kardeşim, Hale Soygazi in Gece Kuşu Zehra, and entered into the "list of unforgettables" with Hababam Sınıfı. At first, most of his roles were in romantic comedies. Later in his career, he has taken on more political and dramatic roles. The first film of this genre was Nehir, in which he shared the role with Cüneyt Arkın. Political films like Maden, Sürü, Yol and Kanal followed.
By browsing this website, you accept our cookies policy.