A modern Azerbaijani woman’s life is non stop all day as she juggles traditional and secular roles, her life subsumed by service for others while rarely getting the respect she deserves. Throughout the film we see how things are changing in progressive Azerbaijan, and how some things don’t change; like her, it is a country at a crossroads of seeming contradictions. This is the story of "a" woman, elements of whom are universal.
The film tells the story of a man, who was in prison when the invaders occupied his native land. When he gets out from prison, he tries to find ways to visit his parents’ graves, which are located on the occupied lands now.
Parvaz Mustavi, a South Azerbaijani, decides to start organizing weddings in Baku. When he brings an expensive, rare car inherited from his father from Iran to Baku for rent, it is stolen halfway through the journey. After losing the car and facing bankruptcy, Parvaz and his partner Yaver meet the country's most ruthless car scammers.
The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".
The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.
Residents are slowly leaving the village due to thirst. Only one family, aunt Nakhish and man Rahim, endured a thousand hardships to guard the grave of Allahverdi, their only child who died in the Karabakh war.
This historical movie is about the situation of Ganja and Karabakh khanates between Russia and Iran war.
The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.
During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.
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