Comedian and Trump lip-synching sensation Sarah Cooper tackles politics, race and other light topics in a sketch special packed with celebrity guests.
Reality rigs and personal cameras capture the lives of six British families 24 hours a day, 7 days a week.
Presents a day in the life in Amsterdam, a city in transformation, captured shortly after the turn of the millennium, and shortly before the digital revolution would speed up the pace of life considerably. Shot in a fly-on-the-wall style.
The series sheds a completely different light on Ke$ha as she works through all the drama and adventures in both her personal and professional life over the course of two years. Filmed by her journalist brother Lagan Serbert, and filmmaker Steven Greenstreet, it also encompasses the artist as she creates her newest album, Warrior, and travels to various countries.
A fly-on-the-wall display of lives changing and time passing told through an unanswered question.
That Peter Kay Thing is a series of six spoof documentaries shown on Channel 4 in January 1999. Set in and around Bolton, these follows the lives of different characters and stars Peter Kay as the subject of each documentary. All of the episodes display Kay's penchant for nostalgic humour and unsympathetic lead characters. The series was narrated by Andrew Sachs. Many of the plot lines were based around actual events from Kay's life. At least six of the characters appear in the spin-off series Peter Kay's Phoenix Nights.
High Class Call Girls is a a revealing glimpse into the lives of Emily B and Cookie Jane, two self-dubbed high class call girls who charge thousands of pounds for a night with clients who find them through new location-based apps.
No film-maker has ever before been given permission to follow a Dutch election campaign with the camera. On the basis of a few contractual conditions, film-maker Niek Koppen was given a glimpse into the 'kitchen' of the Labour Party election campaign in 1998. From the making of the publicity photos by Anton Corbijn to the celebration of the election victory on 6 May 1998. In the Prime Minister's residence, Koppen recorded how decisions were taken during intimate discussions, phone calls and meals. The film focuses on the arduous cooperation between the veterans Wim Kok and Jacques Wallage and the much younger campaign director Karin Adelmund. De keuken van Kok (Working for Labour) provides a picture of the emotions, ambitions, tactics and the ups and downs of a long and tiring process. (filmcommission.nl)
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